About This Forum

This snuff bottle community forum is dedicated to the novice, more experienced, and expert collectors. Topics are intended to cover all aspects and types of bottle collecting. To include trials, tribulations, identifying, researching, and much more.

Among other things, donations help keep the forum free from Google type advertisements, and also make it possible to purchases additional photo hosting MB space.

Forum Bottle in the Spotlight

Charll shared this beautiful Xianfeng (1851-1861) dated bottle depicting NeZha combating the Dragon King amongst a rolling sea of blue and eight mythical sea creatures.


Chinese Snuff Bottle Discussion Forum 中國鼻煙壺討論論壇
April 18, 2024, 03:30:12 am
Welcome, Guest. Please login or register.

Login with username, password and session length
 
  Home Help Search Contact Login Register  

Jade Bottle from the Master of the Rocks School?

Pages: [1]
  Print  
Author Topic: Jade Bottle from the Master of the Rocks School?  (Read 1031 times)
0 Members and 5 Guests are viewing this topic.
Wattana
Private Boards
Hero Member
***
Gender: Male
Posts: 6134



« on: July 23, 2017, 08:58:36 am »

Dear Giovanni,

I was deliberately trying to avoid using the term 'Master of the Rocks School', as it clashes with a completely different period and group of artists who have nothing to do with snuff bottles. In several of his earlier publications Hugh Moss places stone snuff bottles into different groups according to similarities in style of carving and types of material used. For bottles of quartz or silica he calls these groups A, B, C, D, etc. Not exactly exciting names. So later these groups were given names like 'Official School', 'Rustic Crystal Master School', and so on. Similar "school" names were created for jade bottles. But I am going off track.

Rube's bottle fits into a group or school (whatever you want to call it!) that predominantly favours yellow-green nephrite jade, utilizing the russet coloured 'skin' as a canvas on which to carve the subject matter, generally leaving the yellow-green areas plain, without decoration. There are stylistic similarities which link some bottles in this group to ones made of other types of stone. This would suggest that more than one workshop was producing this kind of bottle, and over a long period, so that other influences were both absorbed and dispersed along the way.

I realize this may lead to more questions rather than answering your question! 

Regards,
Tom   
Report Spam   Logged

Collecting since 1971

Pages: [1]
  Print  
 
Jump to:  

Powered by EzPortal