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Mottled lapis lazuli

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Author Topic: Mottled lapis lazuli  (Read 1222 times)
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Wattana
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« on: February 09, 2017, 12:08:41 am »

It has been some time since I last posted a bottle on the forum. This one is from my very early collecting years. The lapis is heavily mottled with a grey matrix which makes it less than exciting, and the quality of the carving leaves a lot to be desired. But as provenance is becoming increasingly important this one may be of interest. It was bought at Christie's London in 1975, and reputedly came from the R. Gordon Smith collection. He was an active collector prior to 1920. Most of his snuff bottles were sold off in the 1920s. If anyone knows anything more about this collector or his collection I'd like to hear.   

Description:
Lapis lazuli snuff bottle of compressed spade form with short neck and everted flat oval lip, the small raised foot with a recessed base, carved in low relief at the widest point with a continuous band of leiwen or key-fret design, the material mottled blue and grey. Original matching oval stopper with integral collar and finial.

Height without stopper: 6.0 cm

Tentative dating: 1890-1920



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« Last Edit: February 09, 2017, 12:12:13 am by Wattana » Report Spam   Logged

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Pat - 查尚杰
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Zha Shang Jie 查尚杰


« Reply #1 on: February 09, 2017, 12:16:07 am »

Nice bottle Tom,

You will recall I have a very similar one to this.. I can't easily put my hands on the pictures now.  I really like this material .  As to age, I have been told that stone bottles that have the same material stopper as the bottle itself tend to be from this era or even newer... don't know if this is true or not..
« Last Edit: February 09, 2017, 12:18:17 am by Pat - 查尚杰 » Report Spam   Logged

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Pat
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Wattana
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« Reply #2 on: February 09, 2017, 08:29:57 pm »

Thanks Pat,

If I remember correctly, the stone on your lapis bottle was better than my example. I think you are right about the matching stoppers being found on bottles from that era and newer........I'd say right up to the present. Of course, there are a few Imperial bottles dating back to the 18th century which appear to have original matching stoppers. Unfortunately this isn't one of them.  Sad

Tom
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« Reply #3 on: February 09, 2017, 09:16:20 pm »

A special bottle Tom! Thanks for sharing!

I like Lapis Lazuli too. Really like the deep blue of it. To me, it always gives a rich sense of mystery. That's the charm of it. But I haven't got a bottle of this material yet.

Nice one.

Best,
Samson
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Steven
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« Reply #4 on: February 09, 2017, 10:34:06 pm »

Dear Tom,

I dont remember that In have seen any Lapis lazuli snuff bottle which has very high standard carving. Is that because the material is not expensvie as other material or its hard to work with the material .I did acquire a example of it . Will post it ,and wanna hear your insights.

Best,

Steven
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« Reply #5 on: February 09, 2017, 11:56:38 pm »

Hi Steven and Samson,

Thanks for your comments! To answer Steven's question - lapis lazuli has been highly valued since ancient times for its rich blue colour. Until the 1800s finely ground lapis was the main ingredient for creating ultramarine blue, the pigment used in ceramics, painting and dyeing of cloth. Its main source is the mountainous region of Afghanistan. Of course, it was also valued for ornaments and jewelry, especially when streaks of gold pyrites are present.

But not all lapis has that deep blue colour. The higher the proportion of grey matrix the lower the quality, so the type used for the bottle posted above would not have been valued too highly. And being brittle the stone can be difficult to work with.

Here is an older example, where both the stone and the carving are of a much higher quality.

Description:
Lapis lazuli snuff bottle of flattened moon flask form with a flared neck and everted lip, the lateral sides narrowing towards the base, and resting on an elongated flat foot. Coral stopper in the shape of an official’s hat with integral finial and collar.

Height without stopper: 6.0 cm

Tentative dating: 1750-1840
 


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« Last Edit: February 10, 2017, 12:00:22 am by Wattana » Report Spam   Logged

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« Reply #6 on: February 10, 2017, 02:10:25 am »

Wow Tom, That is really a beauty!!

Thanks for sharing!

Now, it makes me have to share one of my bottle, Cheesy its a quite small bottle, 1.5" tall, quite cute. I bought it only because the color is so attractive. I am not so into the shape. it also looks like have same age on it, altho I have no clue how old it would be. Would love to hear your insights.

Best,

Steven


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« Reply #7 on: February 10, 2017, 02:30:22 am »

Hi Tom,

I've seen that beautiful lapis bottle before. I guess it's imitating the shape of those old enamelled porcelain bottles which were common at the time? I remember reading that these old lapis bottles are rare as the supply of lapis was intermittent during the Qing dynasty. I've always wanted an old lapis bottle, but the genuine articles I've seen tend to go for big money...

Luke

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« Reply #8 on: February 10, 2017, 02:42:52 am »

Tom,

You sure have two beauties !

Between the two, I like the second piece which is not so thick. also, the overall flow of the body line in the second piece is just outstanding. the transition from the neck to the shoulder and the body displays an excellent craftsmanship. I am still waiting for my LL-bottle.

in the first piece, upon enlarging the picture, am I right that the rim around the mouth has some very minor chips ? And is the mouth having a bit of chamfering on one side ?

Are the inclusions in both pieces mainly pyrites ? They are more evenly spread out in the second piece posted by you.

Congratulations Tom and thanks for sharing.

Inn Bok
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« Reply #9 on: February 10, 2017, 02:44:30 am »

Hi Steven,

I love the colour on your bottle! The overall shape, mouth, lip and foot details suggest 20th century to me, second half. But it could be earlier - really hard to say from photos.

Hi Luke,

You are correct - there is a strong correlation between my lapis and those slender enamelled porcelain bottles. The style was popular from around the mid-Qianlong to the end of the Daoguang period.

Tom
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« Reply #10 on: February 10, 2017, 04:10:53 am »

Hi Inn Bok,

Thanks for your comments. Yes, there are some minor chips around the edge of the lip and the stopper on the first bottle. I don't think there is any chamfering on the mouth, but I'll take a closer look next time I get a chance.

The gold streaks and flecks are pyrite. There is very little on the first bottle - more on the second. The pale grey matrix is most probably calcite.

To correct my earlier post, lapis is composed of three main ingredients, in varying quantities - sodalite (used to make blue pigment), calcite (grey), and pyrite (metallic yellow).

Tom
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« Reply #11 on: February 10, 2017, 10:25:45 am »

Thanks Tom for your comments! Grin

I would date 20th for the bottle as well, The bottle has some sign of the usage, so I was expecting it could be a early 20th date. But it doesn't really have any big difference.Smiley

Thanks again for sharing your knowledge on this interesting stone. learned a lot.

Steven

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« Reply #12 on: February 10, 2017, 03:19:53 pm »

Dear Steven,

     I'd date your bottle ca. 1900-1930. I would have dated it earlier, but respect Tom's attention to the details.
 
Dear Tom,

    I love your second bottle, but even the first one is a beauty.
I used to have one similar to the second one, but, while it was thin like yours, it was a spade-shaped flattened flask, and was incised on one side with a poem about plum blossom as a harbinger of Spring, with a Qianlong Yuzhi mark ending the inscription, while a plum tree in blossom was incised on the reverse. 

    It was bought quite reasonably (US$1,400 or US$1,450) during the 1989 ICSBS Chicago convention from an English dealer living in FLA, who's a friend. When I showed it to the late Robert Kleiner and to Clare Chu (then Clare Lawrence), they both agreed it was Imperial Palace Workshops.

    Best,

  Joey
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« Reply #13 on: February 14, 2017, 01:30:01 am »

Dear All,

For reference, here are two examples of early lapis snuff bottles. The first one possibly Imperial, the second maybe, but less sure about....


http://www.christies.com/lotfinder/Lot/a-lapis-lazuli-snuff-bottle-probably-imperial-5658778-details.aspx


http://www.christies.com/lotfinder/Lot/a-lapis-lazuli-snuff-bottle-possibly-imperial-5720202-details.aspx
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« Reply #14 on: February 14, 2017, 11:02:01 am »


Steven,

Just a quick note.  Upon looking at your bottle and given the white matrix, I would suspect that your bottle is actually sodalite.   This stone is a lapis look-a-like and was used in the production of snuff bottles that emerged in the 1970's to present.

Charll
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Charll K Stoneman, Eureka, California USA, Collector Since 1979.

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« Reply #15 on: February 14, 2017, 12:02:54 pm »

Thought I would add my bottle and try and make this a real feast of Lapis Lazuli.

Flattened oval form with well rounded shoulders and tapering very slightly towards the rounded base. The neck widening slightly at the top and with a relatively deep inset oval foot.

Another one with a glued stopper. I'm assuming relatively new with the matching stopper (which they couldn't even glue on straight) and doesn't feel that well hollowed but hard to tell as they glued the stopper.

Regards, Adrian.

PS- Someone glued the stopper in, might not have mentioned that.



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« Reply #16 on: February 14, 2017, 12:08:54 pm »

A lot of really nice examples of lapis.. Lapis was a hard one for me to work with. The varying hardness between the lapis, pyrite, and calcite make it hard to keep contours even as can be seen in this last bottle of Adrians.

I especially like the really dark blue with gold colored pyrite..
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« Reply #17 on: February 14, 2017, 11:22:53 pm »


I especially like the really dark blue with gold colored pyrite..


Me too. Attractive markings.
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« Reply #18 on: February 14, 2017, 11:41:00 pm »

Hi Charll :

Thanks for showing the 2 beautiful examples..... Shocked esp the one from the Hildegard Schonfeld Collection.

One question, you said that Steven bottle could be sodalite..... is sodalite characterized by the white matrix rather then the grey matrix in other bottles ? Seems like the one from the Hildegard Schonfeld Collection also have a some white matrix on it.

Thanks a lot

Pin
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« Reply #19 on: February 22, 2017, 12:32:44 am »

To continue this thread I'm posting a superb modern example of a Lapis Lazuli bottle. It was commissioned by a Mongolian friend, and was illustrated in the Journal of the ICSBS a few years ago in an article on snuff bottles from Mongolia. As some of you know, Mongolia is probably the last place in the world where snuff bottles are still in use. Not only do they still use snuff and keep it in bottles, the giving and receiving of bottles is part and parcel of the social networking scene, much as is was during the Qing dynasty in China. Most of the modern stone bottles are supplied from lapidaries in the Shanghai area, and only stoppered in Mongolia. But for that really special bottle, there are a couple of master carvers taking new commissions in Ulaanbaatar. For these it is normal for the 'patron' to supply the raw stone, and choose the design, as was the case here.

Of special note is the elaborate carving on the base, and the engraved motif on the underside of the solid gold collar (just visible in the last shot).
 


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« Last Edit: February 22, 2017, 12:36:08 am by Wattana » Report Spam   Logged

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